The fourth and final step is in-park rehearsals where the Dans get the audio mix dialed in. “So I make sure that they know, ‘Oh by the way, while your hat goes up, you go down.’” “Sometimes they might have a hat tip or turn or something and your impulse is to go with your physicality,” Glaudini said. Third they add audience interactions and choreography. Second they work on the dynamics and musicality of the show. First they go over mechanics so everyone is singing the songs the same way. The Dapper Dans go through four passes during rehearsals. Successful pitches tested during rehearsal get incorporated into the arrangement, according to Glaudini. “Because they’re never out there at the same time.” “Someone might have an idea that everyone goes, ‘Oh, I didn’t know you did that,’” Glaudini said.
Rehearsals serve as an opportunity to pitch ideas that have worked in the past. If we all agree that the change is a good one, then my role is to go and solidify that with the group so we’re all on the same page.” “Some might do something slightly different, some might change one note here or whatever. “There’s a lot of tradition in the Dapper Dans,” Glaudini said. The goal of rehearsals is to get all 12 Dans on the same page after a long break. SEE ALSO: Disneyland sets opening dates for exclusive annual passholder bar and lounge “A little gift especially for the ones that know the band’s repertoire. “We’re working on one little extra thing,” Glaudini said.
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